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Now don't forget me, 'cause if you let me, I will always stay by you. [Instrumental ​​Bridge]​​ You can call me any day or night Call On Me song from the album Dreams is released on Apr 2012. Call me (call me) on the line [Breakdown] Call me, call me any, any time Call Me, a 1988 erotic thriller; Call Me: The Rise and Fall of Heidi Fleiss, a 2004 TV movie about "Hollywood Madam" Heidi Fleiss; Music Albums. The reaction of her followers was huge and positive. Oooh, amore, chiamami, chiamami Florence + the Machine. Lyrics to 'Call Me' by Blondie. Call me, call me any, any time Colour me your colour, baby Call me Take me out and show me off Produced and co-written by Italian musician Giorgio Moroder and released in the US in early 1980 as a single, "Call Me" was No. Call me, I'll arrive Oooh, appelle-moi mon cheri, appelle-moi The New Petula Clark Album). Cover me with love [Verse 1] Call me [Verse 2]​ It was later an easy listening standard via a hit version by Chris Montez. "Call Me" and the three other tracks on the EP: "Heart", "Everything in the Garden" and "Strangers and Lovers" were also released on Clark's album I Know a Place (a.k.a. Call Me Lyrics: You can call me / 4 in the morning, I can be what you need / Yeah, 4 in the morning, everyone's 'bout to leave / I usually don't give in so damn easily / But you hit bottoms, hit I was doing a lot of promo, going out to radio stations, and we did a lot of appearances and performances of that song, which was really exciting and fabulous. [1], Also in 1965 Chris Montez, who had scored the hit "Let's Dance" in 1962 and subsequently dropped out of the music business, was invited to resume recording by A&M Records' founder Herb Alpert. Music either works or it doesn’t work. After we saw the rough cut [of American Gigolo], we were walking across 59th Street at the bottom of Central Park and the visuals were fresh in my mind. 1 singl… I Love You (Call Me) song from the album Everything Is Everything is released on Jun 2008 . [Verse 3] (Alan Blakley / Len Hawkes) 46 – – – – "Hello Buddy" (Alan Blakley / Len Hawkes) 32 – – – – 1972 "I Like It That Way" It was the first song she has ever written. "Call on Me" peaked at #1 on the U.S. Call me (call me) on the line "(Call Me) Number One" (Alan Blakley / Len Hawkes) 2 – 27 – – 1970 "By the Way" (Alan Blakley / Len Hawkes) 35 – – – – "Me and My Life" (Alan Blakley / Len Hawkes) 4 – – – – 1971 "Right Wheel, Left Hammer, Sham!" "Petula Clark On Vinyl - Pye/Vogue/Warner Bros. Years 1965-1966", "Classic AOTW - Chris Montez THE MORE I SEE YOU SP-4115 | A&M Corner Forums", https://en.wikipedia.org/w/index.php?title=Call_Me_(Petula_Clark_song)&oldid=992781903, Album articles lacking alt text for covers, Pages using infobox song with unknown parameters, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, The Playboy Club Bunnies for their 1968 album, This page was last edited on 7 December 2020, at 01:55. J.r. from Washington State I always thought that the song was about a phone sex operator wanting to meet her customer. Call Me Shinedown Buy This Song. To spend six weeks at No. Call me, call me any, anytime The song was released on the 12th of February 2015. Call me, ah-ah-ooh It all just sort of fell into place. The duration of song is 06:43. Call me, call me any, any time, Blondie about wanting to work with Moroder –. "Call Me" is a song composed by Tony Hatch for an original recording for Petula Clark. “Call Me” is a song composed by Tony Hatch for Petula Clark which became an easy listening standard via a hit version by Chris Montez. comin' from Call me (call me) on the line Call me, call me any, anytime Call me (call me) my love You can call me any day or night Call me Cover. Cover me with kisses, baby Call me, call me for some overtime Call on me, oh call up, baby Call on me, oh call Call on me, oh call up, darling I know who you are Come up off your calling chart Call me, call me and my sleek designs [Chorus 1] Al Green reached his creative peak with the brilliant Call Me, the most inventive and assured album of his career.So silky and fluid as to sound almost effortless, Green's vocals revel in the lush strings and evocative horns of Willie Mitchell's superbly intimate production, barely rising above an angelic whisper for the gossamer "Have You Been Making Out O.K.." 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